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Handel

Recitatief en Aria uit "RINALDO" - Lascia Ch'io Pianga - HANDEL

Nicolas

2:30	Est. Play Time
54	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	12	0	4	10	84%
	18	45	6	9	100%
	21	15	5	8	98%

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	12	0	4	10	84%
	18	45	6	9	100%
	21	15	5	8	98%

Overture to Handel's Messiah for Recorders

Michel Marinier

3:54	Est. Play Time
98	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Tenor/Soprano	26	4	8	8	96%
Alto	18	0	6	8	95%
View all 4 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Tenor/Soprano	26	4	8	8	96%
Alto	18	0	6	8	95%
Bass/Alto	24	0	8	7	93%
Tenor 2	19	0	7	8	92%

1. Sinfonia (Overture)

Pika3323

2:37	Est. Play Time
98	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violin I	24	0	8	7	98%
Violin II	22	0	6	8	96%
View all 4 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Violin I	24	8	7	98%
Violin II	22	6	8	96%
Viola	19	5	8	93%
Cello	22	7	7	92%

HWVA3N15 - "Se Fiera belva"

edward.maurath

6:18	Est. Play Time
71	Measures
	1,346Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo Continuo	19	19	6	6	77%
	23	9	6	8	100%
View all 10 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo Continuo	19	19	6	6	77%
	23	9	6	8	100%
Cembalo Continuo	17	8	5	6	65%
	23	34	7	8	100%
Contrebasso Continuo	20	0	5	5	91%
Violini	28	0	9	5	91%
Violoncello Continuo	20	0	5	5	90%
Castrato Alto as Bertarido	15	0	5	5	66%
Bassoon Continuo	21	0	5	4	65%
Viola	14	0	1	5	42%

Messiah| No.44: Hallelujah

Pete Alan

3:32	Est. Play Time
94	Measures
	2,858Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Contrabasses	17	0	2	7	100%
Violoncellos	17	0	2	7	100%
View all 18 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Contrabasses	17	0	2	7	100%
Violoncellos	17	0	2	7	100%
Violas	16	0	2	8	99%
Bassoon	17	0	2	7	98%
Violins I	20	0	1	9	98%
Horn	13	0	1	8	96%
Tenor	13	0	1	8	96%
Violins II	21	0	3	8	96%
Bass	14	0	2	8	95%
C Tuba	14	0	2	8	95%
Trombone	14	0	2	8	95%
Alto	13	1	2	8	91%
BaccidentalFlat Clarinet	13	1	2	8	91%
Flute	12	0	0	8	88%
Oboe	12	0	0	8	88%
Soprano	12	0	0	8	88%
BaccidentalFlat Trumpet I II	11	1	1	8	72%
Timpani	2	0	0	7	50%

Allegro (Fuga à 4) from Suite No 3 HWV 428

Bartók forever

1:53	Est. Play Time
47	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		28	0	10	9	95%
		24	1	7	10	93%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		28	0	10	9	95%
		24	1	7	10	93%

HWV7A2N4b - "Il Tricerbero humiliato"

edward.maurath

3:16	Est. Play Time
59	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	25	39	6	9	97%
	26	21	6	9	100%
View all 9 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	25	39	6	9	97%
	26	21	6	9	100%
Contrabasses	21	0	5	9	100%
Violins 1	21	0	4	9	100%
Violins 2	19	0	4	9	100%
Violoncello	21	0	5	9	100%
Violoncellos	21	0	5	9	100%
Rinaldo	17	0	4	8	79%
Viola	10	0	1	6	25%

Messiah| No.17: Glory to God

Pete Alan

2:20	Est. Play Time
57	Measures
	1,512Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violins	22	3	3	8	98%
Violas	15	0	1	8	98%
View all 8 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violins	22	3	3	8	98%
Violas	15	0	1	8	98%
Basses	16	0	1	8	91%
Cellos	15	0	1	8	91%
Tenor	11	0	0	8	65%
Alto	7	0	0	8	54%
Soprano	8	0	0	8	49%
Bass	11	0	0	8	47%

Orchestral Suite No.1 - in E Minor: Overture

hannahsolthin1

3:05	Est. Play Time
59	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Oboe I	21	0	7	9	99%
Oboe II	16	0	5	9	95%
View all 9 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Oboe I	21	7	9	99%
Oboe II	16	5	9	95%
Violin I	19	5	9	92%
Violin II	19	5	9	92%
Violas	16	2	8	89%
Fagotto.	19	3	8	88%
Violoncello	18	3	8	84%
Continuo	19	3	8	82%
Flute	20	5	9	71%

The Trumpet Shall Sound (From Handel's "Messiah Oratorio" HWV 56, Part III, Scenes I and II)

Classical Music Central

5:46	Est. Play Time
223	Measures
	2,687Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Baritone Saxophone	27	0	7	8	98%
Tenor Saxophone	19	0	4	8	97%
View all 14 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Baritone Saxophone	27	7	8	98%
Tenor Saxophone	19	4	8	97%
B♭ Clarinet	23	5	10	96%
	6	1	5	4%
Flute	23	5	10	96%
	6	1	5	4%
Alto Saxophone	27	5	10	96%
Tuba	21	5	7	94%
Horn in F	22	5	9	92%
	22	5	8	89%
B♭ Trumpet	19	5	9	78%
	7	1	5	4%
Baritone	16	4	7	67%
Bassoon	7	1	5	4%

Sonata 3 (HWV 361)

Norman Schmidt

6:57	Est. Play Time
115	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
MusicXML Part		25	3	7	11	100%
		22	1	6	8	100%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
MusicXML Part		25	3	7	11	100%
		22	1	6	8	100%

HWV19A3N22 - Rodelinda, "Mio caro bene!"

edward.maurath

5:29	Est. Play Time
58	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	21	86	6	9	100%
	22	37	5	6	99%
View all 10 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Continuo	21	86	6	9	100%
	22	37	5	6	99%
Violoncello Continuo	17	2	1	3	86%
Violins	15	0	2	8	73%
Rodelinda	13	0	3	5	68%
Contrabasses	14	0	0	3	60%
Violincello Continuo	14	0	0	3	60%
Violas	13	0	2	5	55%
Bassoon Continuo	14	0	0	3	15%
Oboe	10	0	0	6	14%